When it comes to directors, there are usually two kinds. The first is the artist. When you watch a film by Spielberg, Scorsese, or Tarantino, you’ll know within minutes that they directed it. Shot choices, casting, and even their thematic obsessions will clue you in, allowing you to calibrate your enjoyment appropriately.* You’ll always know you’re watching a film by Brian De Palma, just like you’ll always know you’re watching a film by Kevin Smith. The second category is the artisans. These are filmmakers that usually don’t have a directorial signature. They get in there, do the job,... Read More

One of the most valuable things in life is honesty; particularly, the honesty of someone calling out your bad ideas. When someone cares about you on a personal or professional level, they’ll do their level best to pull you back from the brink. I cannot emphasize how important that is, but let me explain with my own idiotic example. I do screenwriting on the side. Years ago, I was batting about script ideas with my writing partners. As we kicked around ideas, I was struck by the Bad Idea Fairy. “Guys, guys, so there were gold reserves in the sub-basements of the Twin Towers. What if, in the... Read More

You already know that making a good movie is hard. The alchemy is peculiar, and it requires combining the skill of a craftsman with the soul of a poet to create something uniquely itself. If you think that’s tough, try adapting a novel into a movie. Sometimes the filmmaker can be faithful, too faithful to the source material, and suck the life out of it. That’s when you get works like Harry Potter and the Sorcerer’s Stone or Watchmen.* Other times the filmmaker taps into the story and themes with great precision, and you have situations like Jaws or The Godfather, where... Read More