Like comedy, horror is all about provoking a reaction. It’s the setup and the punchline, only horror traffics in chills rather than chortles. If a skilled filmmaker causes a viewer to react the way they want, that means the director knows their job. If the same filmmaker can play an audience like a violin, you know you have a major talent on your hands. That’s why I love seeing horror movies with a crowd. It’s the wide variety of reactions. Some people yelp, others shrink down in their seats with hands covering eyes, and still others mask their fear with bravado. Some horror movies, like... Read More

I’m a father to a ten-year-old boy. Part of my job is to teach him to be a decent human being, to be kind to others, help whenever possible, and try to make things suck just a little bit less. I’m also white. My wife is white, so that makes our kid white. That whiteness gives us advantages, ones that we often take for granted but are nevertheless enormous. Here’s an example. Last weekend, my wife got busted for speeding. Was she really speeding, or was she targeted due to her race or gender? Oh, I guarantee she was legitimately speeding. She told me later that the entire interaction... Read More

A great film doesn’t have to be subtle. Sometimes it shouldn’t be, depending on what the story is about and how it is told. Oliver Stone is genetically incapable of subtlety, but JFK and Platoon are a couple of the greatest movies ever made. Along similar lines, one of the big myths in filmmaking is that a great film is birthed out of a difficult production. Francis Ford Coppola nearly went insane making Apocalypse Now. Werner Herzog almost murdered his leading man and forced laborers to drag a steamship through the jungle during the filming of Fitzcarraldo. Uncooperative puppets... Read More